event schedule |
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Tuesday, 27 Feb
19:30 Fantasy and Reason: The Art of Fauré Faculty Tuesday Imig Music Building, Grusin Music Hall Wednesday, 28 Feb
19:30 Composers' Round-table Click here for livestream Moderated by Carter Pann Guest composers: Blake Clawson, David Conte, Stacy Garrop, Amanda Harberg, Abby Kellems, Kennan Powell, Emile Serper, Charles Shadle Imig Music Building, S102 Thursday, 29 Feb
19:30 Fauré and Friends: La belle époque Student recital Imig Music Building, Grusin Music Hall Friday, 1 Mar
09:15 Coffee hour Macky 102 or adjacent lobby 10:00-11:45 Paper session 1: Interactions and Influences Session chair: Carlo Caballero Macky 102 Introductory remarks (Stephen Rumph and Carlo Caballero) Byron Adams (University of California, Riverside) “The Highest Type of Frenchman”: Fauré and England Roy Howat (Royal Academy of Music and Royal Conservatoire of Glasgow) Ravel and Fauré: Musical Interactions Mathieu Schneider (Université de Strasbourg) Gabriel Fauré’s Reception After His Death in Charles Kœchlin's Writings and Works 14:00-16:30 Paper session 2: Chords and Cadences Session chair: Saraswathi Shukla Macky 102 Adam Filaber (Université McGill / Sorbonne Université) Functional Mixture in Gabriel Fauré’s Harmonic Language: A Case Study of the Major-Minor Seventh Chord in the Sanctus of the Requiem. Ruka Shironishi (Mannes School of Music / Queen's College, CUNY) The Sanctus of the Messe basse and Major-Mediant Cadences Efrat Urbach (Bar-Ilan University) Alpha to Omega: From Gabriel Fauré’s “Cantique de Jean Racine” to the Messe basse Sanctus Gilad Rabinovitch (Queen's College, CUNY) Fauré's Harmonic Schemata: An Analytical Case Study 19:30 New American Music: Hommage à Fauré Imig Music Building, Grusin Hall Saturday, 2 Mar
09:00 Coffee hour Imig Music Building, S101 10:00-11:45 Paper session 3: Symbolism and Wagnerism Session chair: Robert Shay Imig College of Music, S102 Collin Ziegler (University of California, Berkeley) Hearing Symbolism: Fauré's Bonne Chanson Taylor Greer (Pennsylvania State University) The Exquisite Hours: Delius’s and Fauré’s Settings of Verlaine Stephen Rumph (University of Washington) Wagner and Fauré’s Requiem 14:00-16:00 Paper session 4: New Analytical Work Session chair: Keith Waters Imig Music Building, S102 Andrew Pau (Oberlin College, Conservatory of Music) Expanded Continuation Phrases in Fauré's Piano Music François de Médicis (Université de Montréal) Fauré's Chamber Music and the Franckiste Cyclic School: Radiating from the Piano Quartet No. 2, Op. 45 Carlo Caballero (University of Colorado, Boulder) The Smith’s Harmonic Forge: Voice-Leading in the First Movement of Fauré’s Second Piano Quartet 19:30 Fauré Sacred and Secular Concert, preceded by pre-concert comments by Stephen Rumph and Carlo Caballero (19:00) First Congregational Church, 1128 Pine St., Boulder CO 80302 Sunday, 3 Mar
09:00 Coffee hour Imig Music Building, S101 10:00-11:45 Paper session 5: From Cinema to the New World Session chair: Stephen Rumph Imig College of Music, S102 Heather de Savage (Central Connecticut State University) Out of Paradise: The Fauré Requiem in American Film and Television Dane-Michael Harrison (Case Western Reserve University) Prometheus Unspooled: From Bayreuth to Ciné by Way of Béziers Desirée Mayr (Bahia State University) French Musical Influence in Brazil: Henrique Oswald, “the Brazilian Gabriel Fauré” 11:45-12:00 Concluding remarks and general discussion (led by Stephen Rumph and Carlo Caballero) 12:30-14:30 Lunch Chez Caballero |
